The Breeders, Rock City, Nottingham

Supported By Big Joanie

Tonight’s openers are London based Big Joanie. That’s a band not a person, named after founder Stephanie Phillips’ Mum and with the ‘big’ meaning confident. They formed amid London’s DIY punk scene in 2013 and have two albums out there.

The four piece take the stage with guitar, keyboards, drums and Phillips wielding a tambourine. It’s an odd mix but they add in bass and a second guitar later. Are they a punk band? or something else? It’s hard to tell. They do entertain us with some interesting wordplay and reasonable tunes but they’re not really for me. 

So on to the headliners...

Midway through tonight’s set The Breeders’ Jim Macpherson gets out from behind his drum kit and comes down to the front of the stage. He introduces the rest of the band and then casually mentions that it was 1993 the last time they played Rock City.

Surely not? It really has been a while then. I didn’t actually see them in Nottingham on that occasion. For reasons I can’t recall, I mean it was 30 years ago, I went to Sheffield University to see them the night before. I probably had some football going on. They did then play Nottingham Trent in 2008 but I didn’t make it to that either.

Often I give my apologies why I haven’t seen a band for a long period. This time, with only one chance in 30 years, it’s clearly not all my fault. Meanwhile other people have the better excuse of not being born. Tonight the audience is about a 50-50 split tonight between young and old, so the band can feel smug that they’re introducing a whole new generation to their music.

Therefore tonight is special is for many reasons and from the first few bars of ‘Saints’ everyone is buzzing. It’s not just about music because here is the nicest band on the planet who are clearly ridiculously happy just to be here and that makes a big difference to everyone’s experience. Even if it has taken them 30 years to find the right page on the atlas.

They’re going to be at Glastonbury the next day, as they tell us obviously, and if you watch that performance they grin their way through that one too.

The set is, as you’d expect, ‘Last Splash’ heavy but there is excellence too from their debut ‘Pod’ (‘Doe’ is amazing, ‘Opened’ is amazing etc etc) along with selections from their other records such as the wonderful ‘Huffer’ from 2002’s ‘Title TK’.

Kim Deal and her cryptic lyrics dominate most of the night but it’s over to sister Kelley for ‘I Don’t Get Along and then to Josephine Wiggs for the penultimate track ‘Megagoth’ which morphs into the Pixies ‘Gigantic’ which of course Kim originally wrote and sung.

And of course there’s the legendary ‘Cannonball’ with its classic opening of those distorted vocals and amazing bassline.

In total it takes them only ninety minutes to blitz through a 21 song set of songs that rarely break three minutes and often don’t even exceed two. 

Then there are two more to come in the encore, the last of which is the pure delight of ‘Divine Hammer’ that sends everyone home with a smile as wide as the band’s. Who.. have I mentioned how nice they all are? Just to prove that Josephine ends the night by taking all the band’s set lists which have been turned into paper planes and sends them flying into the crowd. Such a nice night.

White Lies, Leadmill

Tonight we take a trip up to the Leadmill in Sheffield to see the promising new band 'White Lies'. They sound excellent, early Killers with a touch of Editors in there. So I couldn't really pass that one up.

We arrive early to find that the gig is in the Leadmill's cosy backroom, nice and intimate. We catch some of the set by the Post War Years. Hailing from Leamington Spa, they produce a nice mish-mash of pop, rock and electro. Lots of keyboards and the like but with some rocking guitar riffs added in, and a touch of wailing vocals.
They remind me a little of our own Late of the Pier, perhaps with a dose of Cold War Kids mixed in. Their stuff perhaps needs some work but it sounds promising.



Following them on to the stage are the Joy Formidable. Bleach blonde vocalist and guitarist Ritzy (female) and bass player Rhydian (male) are both from Wales. A drummer called Justin from Devon completes their line up. I thought Ritzy was making eyes at her Devonian percussionist but actually it's Rhydian who's her partner. Oops, hope I've not stoked up any sexual tension in the band.

I do like their sound, early 90's though it may be. They remind me a lot of the girl fronted rock bands of that era. There are certainly comparisons to be made to bands such as Echobelly, Breeders, Belly and one of my lesser known faves springs to mind, the Heart Throbs. In fact, there's a lot of Tanya Donnelly about lead singer Ritzy, even though she's Welsh. She's definite the focal point, doing lead vocals and sashaying around giving her guitar a hard time. She's also a girl who seems to like to spend a lot of time on her knees... nothing wrong with that... and she spends a fair proportion of the gig down there, fiddling with her guitar strings and her effect pedals.

Overall, they look quite a prospect. Their debut single ‘Austere’ is just out and they close their set with it. I hope to hear a lot more from them. Excellent. White Lies certainly have something to live up to.



As well as support band threatening to upstage them, White Lies also have a lot of hype to live up to, previously known as 'Fear Of Flying', a band who received lots of acclaim but little success. The band has now seemingly reinvented themselves and are creating a bit of buzz.

The opener 'Farewell To The Fairground' gives grounds to their tag of Killers wannabes. It's rather too heavy on the keyboards and on the drums for that matter. Lead singer and guitarist Harry McVeigh obviously realises this too and appeals to the sound engineer to turn the guitars up, which he duly does and they metamorphose from the Killers into something more beefy, resembling, perhaps, I have to offer these comparisons, the Psychedelic Furs.

Charles Cave is on bass, Jack Brown on drums and they have an unofficial fourth member on keyboards who is rumoured to have been in the now obsolete Mumm-ra. Oh dear, never mind, he's obviously got over it.



Draped in black and trying to look as miserable as possible, the band showcase tracks from their forthcoming debut album, barely pausing to take breath between tracks.

April's debut single 'Unfinished Business' is third up and sounds much better than the download blagged off the internet. The crowd are really getting into the gig but after 'From The Stars', which means three of the first four tracks they play have been available on the net, the audience go a bit subdued, as the band play stuff they don't know. White Lies do a nice line in bleakness and at this point, they descend heavily into it for about four tracks. This is wonderful but the crowd do kind of watch in awe rather than join in.



They then finish with the current single 'Death' which reignites the crowd but I can't help but feel that putting this somewhere in the middle would have made it a better set.

The album is apparently finished but isn't due out until January. I don't understand that, if it's ready, release it for Gods sake.

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