Feeder, Academy, Leeds

I arrive at the Academy and the queues are massive. It takes ages to get in which is inexcusable really but I eventually get in, get down to the front and even get a pint. However, I have already missed half of the support band. It was 7pm doors for a 7:30pm support act. That never really works until your venue is tiny. The Academy is far from tiny. It’s only at this point that I realise that I may booked through 02 Priority. Which I thought was just priority for getting a ticket and not queueing but I think I may have been able to queue jump. Next time! 

 

The support band are called Everyone Says Hi and are a super(ish) group named after a David Bowie song. They feature Nick Hodgson the former drummer from Kaiser Chiefs, Pete Denton the former bass player from The Kooks, Ben Gordon from The Dead 60s, Glenn Moule from Howling Bells and local Leeds guitarist Tom Dawson. They are decent, extremely competent but very dull. 

And so to Feeder playing their 2002 album ‘Comfort In Sound’. This is the first night of the tour and therefore their first ‘album in full’ show after constant nagging from their fanbase. Although I must say not particularly for this album but it’s an understandable choice for a first stab. This is the album that finally catapulted them into the big time and the arenas. The record has been remastered for the occasion and there will also be a live album, which is another first for the band. 

It is also an emotional album for everyone as it was the first one written and released after the suicide of the band’s drummer Jon Lee when we weren’t even sure that the band would continue. It’s a fragile record about lived experiences and tonight they turn this into an almighty attribute to Lee. 

 

We’re in order so that means we’re straight into ‘Just The Way I’m Feeling’ for which having the lyrics up on the big screen makes it even more moving. Meanwhile the band remain mute as regards talking to the crowd for the duration of the album. A decision that makes it even more dramatic and emotional. They simply get on with it, with no fuss but plenty of style. 

I’ve made no secret of the fact that I’m no great fan of full album shows, as all bands have albums with stuff we want to hear again but also stuff that are fillers. I’d much rather bands just dig out the rarely played oldies that people are asking for but I also get this is about savouring a whole body of work and tonight their performance of it is flawless. 

 

Among the ones that everyone has been wanting to hear again are ‘Find The Colour’, which comes with great visuals of Jon Lee, and ‘Forget About Tomorrow’, a potent reminder to appreciate every day. Both of which were singles back in the day. Personally, I am particularly stoked to hear the glorious ‘Helium’ played again. 

The last track on the record is ‘Moonshine’ and, at its conclusion, we are left with a huge photo of Jon amid loads of claps, cheers and chanting until the lights finally go out. Once again, I’ll use that word - emotional. 

The playing of the album was much better than I expected and, to be fair, totally blew me away. So that shows you how little I know about playing whole albums. However just when you think they can’t top that, the encore steps things up a level. 

 

It starts predictably enough with a totally acoustic solo ‘High’ from Grant which is as sublime as ever, followed by the ever present ‘Feeling a Moment’ and a pumping ‘Pushing The Senses’ but then we get two never played b-sides from the ‘Comfort In Sound’ era. 

‘Feel It Again’ is in many peoples Feeder top 10 but has only been played once ever at a festival. It sounds amazing tonight. While ‘Opaque’ has never been played before and is just awesome. Both tracks were b-sides to ‘Come Back Around’ which was the opening single from the album and their comeback record after Jon Lee’s death. So, all very appropriate and now I can die happy. 

One finally twist tonight is that while they finish with the usual tumultuous ‘Just A Day’ they don’t play ‘Buck Rogers’ and, you know what, nobody dies. 

Despite my misgivings this has been their best set in years. Comfort In Sound, it’s all around. Indeed. 

Belly, Rescue Rooms, Nottingham

Tonight Belly are at a sold-out Rescue Rooms as part of the 30th anniversary celebrations of their second album ‘King’. 

There is no support act and as we wait for the band to play the first of two sets we listen to an oddly Kim Deal heavy selection of warm up music. 

Then they come on stage to play the first of two sets which sees them perform ‘King’ in full in its original order including the likes of the very rarely played ‘L'il Ennio’. 

‘King’ was released in 1995 and was meant to be the album that built on the success of their first in 1993. Unfortunately, it didn’t happen for them and Tanya Donelly broke up the band a year later. 

It wasn’t until they got back together ten years later that their third album ‘Dove’ was recorded in 2018. Which was the last time they were in Nottingham and as bass player Gail Greenwood says there seems to be plenty of repeat offenders here tonight. 

The songs still sound great today and while I’ve always thought I preferred their first album, now thirty years on I’m not so sure. The likes of ‘Puberty’, ‘Superconnected’, ‘Now They'll Sleep’ and ‘Seal My Fate’ all sound amazing this evening. 

After just a 15-minute break they come back on to play a second set throughout which Donelly repeatedly apologises for messing up and starting songs in the wrong key. Not that we’ve noticed. 

 

The set opens with the b-side ‘Thief’ but thereafter leans heavily on their debut album ‘Star’ as they rattle through ‘Dusted’, ‘Gepetto’, ‘Low Red Moon’, ‘Slow Dog’ and ‘Feed the Tree’ with ‘Human Child’ from their third album ‘Dove’ in the middle. Then they close the set with another off ‘Dove’ in ‘Shiny One’ 

They return for a one song encore, the slow building ‘Full Moon Empty Heart’ and then that’s it for another bunch of years.