The Futureheads, Rock City, Nottingham

Supported By Cucamaras & Du Blonde

The last time I saw the Futureheads was six years ago at the Rescue Rooms, so I’m curious about why we’re at Rock City tonight. It’s only about half full, with the balcony closed and just one bar open. I hope they got a good deal. 

There are two support bands with the opening slot given over to a local band each night. Tonight, it is Nottingham’s Cucamaras who self-describe as ‘post-something’. Sadly, I am too late to catch anything but their last song which sound great with it’s fuzzy riffs and post-something-ness. Damn, I should have got her earlier.  

Then there’s a very quick turnaround before we get Du Blonde which is the stage name of Beth Houghton. She’s from Newcastle Upon Tyne so I hope she gets on with our Sunderland based headliners. 

Houghton is no solo artist and is fronting a six-piece band tonight with some seriously strange outfits going on.  

 

A mix of a bit of glam and a bit of ‘what I just got up in’ but never mind what they look like just feel the music. Which is a decent poppy guitar fare that they certainly put their heart and soul into. I shall try not to insult them by comparing them to Echobelly from the 90s. 

Rock City has now filled up a bit with middle-aged folk like me as the Futureheads take to the most minimalist stage setup I’ve ever seen. I mean who needs gadgets, gimmicks and fancy backdrops. All they need is their guitars and a drumkit. 

Then we’re into the first chant-along of the night with the ‘The Beginning of the Twist’. 

The band have the already converted crowd in the palm of their hands as they quickly rattle through ‘Struck Dumb’, ‘Decent Days and Nights’, ‘Radio Heart’ and ‘Meantime’ barely taking breath. 

The set is largely a nostalgia trip as you would expect as there’s only been one new album in the last thirteen years. This was ‘Powers’ in 2019 from which we get just the one track ‘Good Night Out’. 

 

There’s a mid-set breather where the band down their instruments and go all acapella. I didn’t show much interest in ‘Rant’ the acapella album they did in 2011 but ‘Beeswing’ tonight is excellent. 

Aside for the ‘hits’ there’s plenty of banter, mostly between themselves but occasionally they involve the audience usually when over-explaining the reason behind the next song.  

 

Sadly, were all too soon at the end where the brilliant ‘Carnival Kids’ leads us to the closing ‘Hounds of Love’. They are tempted back for a three song encore before after ‘Man Ray’ that is really is out lot.