Thursday, 28 November 2024

The Slow Readers Club, Rescue Rooms, Nottingham

Supported By Glass Caves

The Slow Readers Club start their latest UK tour at the Rescue Rooms, which is really a bit too small for them but Rock City is still perhaps a little too large. They're in that in between phase. This tour is to promote their latest album 'Out of A Dream'. 

First though are Pontefract's Glass Caves who have a new record of their own 'Back To Earth' to promote and promote they do. Frontman Matt Hallas asking the crowd to buy some merch so that they can upgrade their Travelodge to accommodate the four of them as they're all sharing one room. The band who started out busking on the streets of York treat us to their straightforward approach to modern rock alongside some vintage hairstyles. A long-haired throwback to the eighties but they are thoroughly nice chaps and so polite as they attempt to flog their merch for an upgrade. 

So, the Readers, and talking of vintage they have pulled a pretty vintage crowd which makes me feel so young. Quite why it’s an older crowd I’m not sure as the band aren’t that vintage.  

Across a 16-song main set they don't over push the new album playing just four from it including new single 'Animals' which is pretty decent and previous release 'Technofear' which everyone seems to know. 


There are of course plenty of oldies too including a rare outing for 'Sirens' from their first album in 2011. Although with seven albums to dip into now, and they do choose from them pretty evenly, there's a lot of classics not played. 

There's an excellent run at the end of the set with 'Afterlife', 'You Opened Up My Heart' and 'Forever in Your Debt' before new track 'Boy So Blue' and finally regular set closer 'On The TV'. 

They come back for an encore that opens with 'I Saw a Ghost', then 'Knowledge Freedom Power' before 'Lunatic' naturally finishes things off. It's a lively warming show for a cold November night.

The Slow Readers Club Setlist Rescue Rooms, Nottingham, England 2024

Friday, 1 November 2024

Interpol, Civic Hall, Wolverhampton

Tonight, I’m in Wolverhampton at the Grade II listed Civic Halls, which have recently reopened after a lengthy renovation, for the first time in a while. I am here to see Interpol perform their classic second album ‘Antics’ in full, on the occasion of its twentieth birthday. It’s a historic venue to see an historic band play an historic album. 

First though are Dust who are from Newcastle. That’s as in Newcastle, Australia. They are a five piece and with a punk saxophone and get a generous 45-minute slot. Their opener was a bit muddled opener but after that they settled down into more traditional fare with simple chords but they are into their long intros and outros. 

They also have real problems with the sound which keeps cutting out although I’m not sure they notice. Either that or they are being very professional about it all. 

 

They’re pretty good when they get down to it with some moments of brilliance in there amongst further muddles and their new single ‘New High’ was pretty catchy. 

In the setup period between the two bands they rig up a sheet up in front of the stage. They are clearly planning on hiding the band from us when they come on. Some may say it’s theatrical but it’s a ploy I’m never a fan of. I just find it annoying and it also kills the traditional between bands entertainment of watching the roadies set everything up. 

 

So we start with the band ‘hidden’ behind the sheet, turning them in to just silhouettes, but it goes on way too long and I spend the duration of the first song looking for how it’s attached and wondering how they are going to get it down again rather. When I should have been concentrating on the first song, the album opener ‘Next Exit’, which I feel it ruins. 

Thankfully as they move on to ‘Evil’ it drops and everything else is perfect and Interpol have no sound issue like the support band did. 

Antics is played in its entirety and in order. It is top notch nostalgia with riffs that take you back in time and that are delivered perfectly by Daniel Kessler’s guitar while Paul Banks‘ voice has aged as well as the venue. 

It’s an album with few, if any, weaknesses right through to 'A Time to Be So Small', a track that is often forgotten sitting at the end of the record. 

After a short break the band return to play a selection of classics from their other albums which sees significant set list variations every night. This is something they have always been every good with and it’s also nice to see a nice long set from them. That's something they've not always been so good at but it’s all ten tracks from Antics tonight and then ten tracks more in the second half.  

First up is 'Pioneer to the Falls' from the very underrated 'Our Love to Admire'. This is followed by its album mate 'No I in Threesome', a track that has been avoiding me for decades but I finally get to see them play it tonight. 

Then there's 'Obstacle 1' which is always huge and 'Lights', always epic. Then after a couple from 2014’s ‘El Pintor’, ‘My Desire’ and ‘All the Rage Back Home’, before 'Rest My Chemistry' which closes the set. 

They return for a second time which sees them surprisingly play 'Roland' to me for the first time then they end with their debut single 'PDA'. 

Historic venue, historic band. Sublime.