Supported By Voodoo Radio
Support comes from Voodoo Radio who are a father and daughter two 2-piece. It’s not often you see that. Particularly as he, Tony on guitar, is 64. Paige plays drums, just a tom-tom and a snare, standing up and does most of the vocals. This limited set up is surprisingly effective as the two of them play their generally short but lively numbers but it’s not just about the music with them.
She’s not shy, introducing songs such as ‘Basic Bitch’ which
is a song about what her brother calls her. While he acts as a straight man to
her ramblings. They are quite a combo, playing well off
each other.
Apparently where they are from in Barrow in Furness, a
coal mining town, ‘Slag Bank’ means something completely different to what is
does down south. While she says ‘Turn Out The Light’ is about a one night
stand. He says it’s about saving electricity.
Voodoo Radio are quite a thing, unique and very
entertaining. Well worth seeing.
Then it’s time for the Ruts DC. I came to the Ruts late,
after they had finished, but was taken by their take on punk despite their occasional
reggae diversions that I wasn't so struck on. They only released two albums and
the second of those was actually released after their front man Malcolm Owen died
from a heroin overdose in 1980 at the age of 26.
The band continued for while under the name Ruts DC but eventually
disbanded in 1983. At which point I discovered them.
The band had a 24-year break but when another original
member Paul Fox died of cancer the two remaining members bassist John ‘Segs’ Jennings and drummer Dave Ruffy got back together and have continued ever since. They have
recorded and released plenty of new music, not wanting to be a Ruts tribute act.
Those two, along with Leigh Heggarty on guitar, stroll onto
the stage, smartly attired. Suited and booted. Looking very cool.
They open with ‘Faces in the Sky’ from their latest ‘Counterculture’
album, then seamlessly go back several decades for the Ruts classic ‘SUS’.
For ninety minutes or so they deliver all the oldies such as
‘Something That I Said’, ‘West One (Shine On Me)’ and yes the reggae of ‘Jah War’
but their never songs are equally appreciated.
‘In a Rut’ turns into a medley that includes the Pogues
‘Dirty Old Town’ as a tribute to the recently departed Shane McGowan. While the
set closer is the epic ‘Babylon’s Burning’.
They return for an encore that sandwiches the 1979 single ‘Staring at the Rude Boys’ between two newer tracks, closing with ‘Psychic Attack’ from the 2016 album ‘Music Must Destroy’, before sending us out into the cold night seriously warmed up.
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